Further coverage of the reports in The Times that Greece has agreed to set aside claims of ownership, in it’s attempts to secure the return of the Parthenon Marbles to Athens.

From:
Bloomberg News

Greece Offers to Forgo Claim to Ownership of Elgin Marbles, Times Reports
By Chris Peterson – Dec 6, 2010 8:08 AM GMT

Greece offered to end the long- running dispute with Britain over the Elgin Marbles by saying it would forgo its claim in return for a long-term loan of the artefacts, once a frieze on the Parthenon, the London-based Times reported, citing Greek Culture Minister Pavlos Yeroulanos.

The frieze was removed in 1801 by British diplomat Lord Elgin with the permission of the Sultan of the Ottoman Empire, which then ruled Greece, and shipped to London after parliament agreed to buy them. Greece regards them as having been looted, the newspaper said.
Read the rest of this entry »

In an interview with The Times, Greece’s Culture Minister, Pavlos Geroulanos, has indicated that he may be willing to set aside the issue of ownership, in order to facilitate serious talks with the British Museum about the reunification of the Elgin Marbles.

Later reports from Greece have however indicated that this attribution was made in error & was not what was discussed in the interview.

From:
The Times

Greece offers to drop claim to Elgin Marbles
Michael Binyon Athens Last updated December 6 2010 12:01 AM

Greece is trying to break decades of stalemate with Britain over the Elgin Marbles by dropping its long-standing claim to ownership of the sculptures in return for the British Museum sending the Acropolis artefacts back to Athens on a long-term loan.

In return, Greece will offer the British Museum a selection of its best classical art, changing the exhibition every few years to give London one of the richest permanent displays in Western Europe of sculpture, carvings and art from ancient Greece.
Read the rest of this entry »

Following on from this earlier article, it appears that the British Museum once again being treated as an organisation that is not entirely independent of the government.

In this instance, the British Museum is taking over the role of administering the Portable Antiquities Scheme from the MLA which is being disbanded. This is an interesting development, as while it can be carried out by any organisation, it does to a certain extent pull the museum closer to the government, removing some of its independence & impartiality. This separation from the government is regularly emphasised when dealing with restitution requests, where the assertion is made that they are a matter to be dealt with entirely by the trustees of the British Museum. At the same time though, actions such as this & the previous one over denial of access to funding indicate that the government continues to maintain a strong hold over the museum & could, if it chose to, influence the actions of the museum.

From:
Museums Association

ACE takes over MLA functions
Sharon Heal
23.11.10

Speaking this morning at the British Museum, culture minister Ed Vaizey announced that Arts Council England (ACE) is likely to take over the functions of the Museums, Libraries and Archives Council (MLA).

If approved, all of MLA’s functions will transfer to ACE, including Renaissance, cultural property and accreditation by March 2012. The export reviewing committee, the government indemnity scheme and the acceptance in lieu scheme will also be transferred.
Read the rest of this entry »

The BBC’s series – A history of the world in 100 objects covered various artefacts whose ownership was disputed, many people aren’t happy with the way that this fact was only given cursory coverage, focussing on the artefact rather than its history.

From:
Modern Ghana

An Akan drum and the British Museum’s history of the world
Columnist: Kofi Amenyo

So it is true that human beings and human culture began in Africa, eh? Homo sapiens evolved in Africa at least 150,000 years ago. The fact was brought home to us again when the director of the British Museum (BM), Neil MacGregor, in collaboration with BBC, selected 100 items from the museum’s vast collection to tell the history of the world in a hundred 15-minute programmes on Radio 4.

Human life started in Black Africa – specifically in present day Tanzania. When the narrator tells us that “we all have Africa in our DNA” one feels proud to be African. Two items at the beginning of the series (2 and 3) were from the East African Rift Valley: the Olduvai Stone Chopper and the Olduvai Handaxe. Both have the distinction of being the oldest objects in the BM. They are 1.8 million years old!
Read the rest of this entry »

As mentioned previously, Neil MacGregor’s series, A history of the world in 100 objects has now finished and has doubtlessly been more successful than the BBC ever imagined it would be. It has however provided a colossal platform for Neil MacGregor (and thus the British Museum’s) viewpoint.

Mary Beard argues here that the series manages to “Forget the idea of imperialist looting or acquisitiveness”, but I’m wondering whether this is not more a case of wishful thinking by the British Museum that people would forget it, as the reality is that for many people (mostly located outside the UK & not necessarily Radio 4 or World Service” listeners), the imperialist looting which is perpetuated today within the British Museum is a continuing source of anguish.

From:
Guardian

A History of the World in 100 Objects by Neil MacGregor – review
Brilliant on radio, Neil MacGregor’s 100 objects also make a marvellous book, says Mary Beard
Mary Beard
The Guardian, Saturday 13 November 2010

Chapter 33 of Neil MacGregor’s marvellous book-of-the-radio-series is about the Rosetta stone. This lump of granite from Egypt, “about the size of one of those large suitcases you see people trundling around on wheels at airports”, is, as he frankly admits, “decidedly dull to look at”. It earns its place in A History of the World in 100 Objects because in the 19th century the equally dull text – on tax breaks for priests, inscribed upon it, in three different languages (Greek, demotic Egyptian and hieroglyphs) – became the key to decoding the hieroglyphic script of the ancient pharaohs.

But, more than that, the stone also has a powerful modern history of its own. It was fought over by French and British troops at the end of the Napoleonic wars, and finally taken to London. MacGregor is one of the few to point out that it is actually inscribed in four, not three, languages: on its side, we can still read, in English, “Captured in Egypt by the British Army in 1801.”
Read the rest of this entry »

When asked about returning the Parthenon Marbles, the British Museum likes to fall back on the arument that they couldn’t do so without a change in the law – making it a matter for the government. Yet at the same time, the government indicates that the issue is one for the trustees of the British Museum.

The government would like you to believe that the British Museum is entirely independent of government – the reality though is that the two are closely tied together – seeing the British Museum as a completely separate entity that is in complete control of all decisions is an inaccurate understanding of things. This is evidenced here, by the fact that (for whatever peculiar reasons) the British Museum can’t access large amounts of its own money because it is being with held by the government.

From:
The Art Newspaper

Treasury withholds museum donations
British Museum is denied access to £42.5m of its own cash
By Martin Bailey | From issue 218, November 2010
Published online 5 Nov 10 (News)

LONDON. UK national museums, including the British Museum and the National Gallery, have found it difficult to access over £50m donated by philanthropists, because of Treasury regulations. These are funds from donations and bequests which went into museums’ financial reserves and later fell under government control.

The scale of the potential problem is enormous, since the reserves for all national museums total £285m. The museums have not publicised the difficulty, fearing that this might rock the boat during delicate discussions with government.
Read the rest of this entry »

Mary Beard, author of a book on the Parthenon has written a summary of the arguments surrounding the Elgin Marbles for the history section of the BBC’s website.

From:
BBC

Lord Elgin – Saviour or Vandal?
By Mary Beard
Last updated 2010-10-15

Much of the sculpture that once enhanced the Parthenon in Athens was brought to London by Lord Elgin 200 years ago. Was this the act of a saviour or a vandal? Mary Beard looks at both sides of a fierce argument.

Controversy

During the first decade of the 19th century the agents of Lord Thomas Elgin (British Ambassador to Constantinople 1799-1803) removed whole boatloads of ancient sculpture from Greece’s capital city of Athens. The pride of this collection was a large amount of fifth-century BC sculpture taken from the Parthenon, the temple to the goddess Athena, which stood on the Acropolis hill in the centre of the city.
Read the rest of this entry »

In the past, the British Museum has suggested to Greece that as a solution to the dispute over the Elgin Marbles, they will send the Greeks high quality copies. In the mind of the British Museum, this seems to solve the situation & anyone who rejects this offer is ungrateful. At the same time though it raises a new question of why the British Museum isn’t happy to keep the copies & return the originals.

From:
The National

Tutankhamun’s replica treasures in Manchester
Ben East
Last Updated: Nov 3, 2010

It’s quite a sight. The golden treasures of King Tutankhamun’s tomb look as arresting as they may have been on the day archaeologists happened across his virtually intact resting place in 1922. There are statues, chests and the pièce de résistance , the glittering death mask that caused the man who first discovered the tomb, Howard Carter, to remark breathlessly: “We were astonished by the beauty and refinement of the art… the impression was overwhelming.”

Except they’re not the originals. The Tutankhamun – His Tomb And His Treasures touring exhibition, just opened in an unlovely corner of a Manchester shopping complex, is instead stocked with costly reproductions of some of the most famous archaeological artefacts of all time.
Read the rest of this entry »

Many experts feel that China’s attempts to catalogue (with the aim of eventually recovering) the artefacts looted from the Summer Palace in Beijing is unlikely to be successful.

From:
France 24

01 November 2010 – 17H15
China bid to regain looted relics a tough task: experts

AFP – China’s call on museums and antique collectors around the world to return relics looted from the Old Summer Palace in Beijing 150 years ago is unlikely to yield any significant results, experts say.

The Army Museum in Paris and London’s Victoria and Albert Museum are just two of the institutions that possess items taken from the former resort for Qing dynasty emperors — and are not about to give them up easily, they say.
Read the rest of this entry »

Following his earlier article, Tom Flynn was invited to contribute to a discussion about Radio 4’s collaboration with the British Museum – A history of the world in 100 objects. Unfortunately he was not able to attend, so the actual points he was making about the series were lost in an abridged quote which whole issue that he has with the series.

From:
ArtKnows

Tuesday, October 26, 2010
Banging the drum for the BBC

I’m running the risk of sounding like a stuck record, but that’s better than being accused of munching on sour grapes, which is what a guest on BBC Radio Four’s Making History programme has just done with regard to my criticism of the British Museum’s ‘History of the World in 100 Objects’ series.

Last Friday I received an email from the Beeb asking if I’d like to contribute to a discussion about whether the ‘100 Objects’ project had been a success. Sadly I had to decline as I had a teaching commitment that morning.
Read the rest of this entry »

Neil MacGregor’s immense Radio 4 series on the History of the World in 100 Objects has now finished & the book is available. What is interesting about the series though is how easily people were able to create a mental picture of the artefacts in question through MacGregor’s descriptions. In many ways a series that one would have expected to be on television because of its heavily visual aspect, in fact worked equally well on radio.

This fact (that you not only didn’t need to be there – nor even see the artefacts) at the same time could arguably undermine the British Museum’s on many issues. The museum would rather casts of the Parthenon Sculptures to Greece than return the real thing – yet at the same time, it is becoming clear that actually being there with the real version of the sculptures isn’t perhaps as necessary to their understanding as the museum wants it to be.

From:
Daily Telegraph

A History of the World in 100 Objects by Neil MacGregor: review
By John Adamson
Published: 6:00AM BST 24 Oct 2010

The series A History of the World in 100 Objects shouldn’t have worked on radio but did, triumphantly. John Adamson wonders how Neil MacGregor’s world history will fare on the page

By most rational calculations, the original idea behind this enterprise was entirely mad. Attempting to write a history of the world, in any guise, is usually clear evidence of megalomania. Organising it, not as broad chapters on periods or themes, but as a series of 100 short essays about physical objects would seem to make the undertaking impossible from the outset. Deciding to deliver those essays through the one medium guaranteed to render the subjects of these essays wholly invisible – radio – would seem to move from the impossible to the perverse.
Read the rest of this entry »

For some time, China has been trying to catalogue the vast numbers of looted Chinese artefacts that have ended up in museums & private collections around the world. Based on data from UNESCO, it appears that of all the Museums holding disputed artefacts, the British Museum has by far the most with twenty three thousand in its collection (only two thousand of which are part of its permanent displays).

From:
People’s Daily

British Museum holds highest number of looted Chinese relics
15:57, October 25, 2010

Data from the United Nations Educational Scientific and Cultural Organization (UNESCO) shows that a total of more than 1.6 million Chinese cultural relics looted in the past are now housed in 47 museums worldwide, and the British Museum collected the largest number of them.

Currently, it has collected a total of 23,000 Chinese relics, and about 2,000 Chinese relics are on long-term display in the museum.
Read the rest of this entry »